Capturing the metropolitan unease and dynamic spirit of São Paulo, Marcelo Caetano’s unflinching drama centres on those who exist on the margins of an perpetually shifting metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the wide-eyed young man finds solace in the arms of others.
On an night on the town with his boisterous group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler over double his age. Illuminated by the wavering neon of a adult movie theater, their introductory rendezvous is physical and passionate, with an edge of danger. Ronaldo quickly introduces Wellington to the clandestine realm of prostitution and narcotics trafficking.
The director portrays Wellington’s new life of crime with tender empathy as opposed to as a melodramatic morality play. Now using the alias Baby, he enters his commercial trysts with cocky bravado and poignant gullibility. To his customers, Wellington offers more than his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, overflowing with busy lanes and colourful shopfronts, there’s a persistent isolation, as rootless people grasp at one another for momentary bliss.
"The city are fraught with peril, yet they are also the space where they can forge familial bonds, too."
Ronaldo is simultaneously a partner and a guardian-like mentor to Wellington, but their connection is thrown off course by possessiveness and economic precarity. Dangers posed by nefarious characters in the underworld seem minor next to the dread of institutional observation and incarceration, epitomized by the looming presence of police officers on patrol.
Baby is especially potent as a perceptive study of the forgotten souls who have fallen through the cracks the system. The film functions as a poignant exploration into resilience, chosen family, and the pursuit of identity within a demanding urban landscape.
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Angela Ryan
Angela Ryan
Angela Ryan